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Monday, March 18, 2019

Drunken Santa :: essays papers

Drunken Santa Drunken Santa is a make that effects a miracle of equilibrium. What seemed like a clash of an opposite spectrums affectations became the unlikely agreement in this painting. Jaisinis workmanic vision here is formed from two components of corporeal and emotional offers of being. Freezing and heating serve as a type to a human need for warming up from the chill of solitude by means known to people at all times. The artist pursues his art philosophical quest for publicly knowledge that had left its traces in many of his works. A line of composition literally ignites the paintings surface with the movement. The mask of this work is phosphorescent, and it create the different planes if the subtle color nature. The warm color of purple supports the hot color of Santas figure and an exotic fish supra Santa. This hot color may represent the so-called material universe, the world of the gross senses that can be observed in a dangerous state. The cold, arctic b lue color represents the unknown, the world of a deep state of drunkenness where real is unreal and otherwise. The only hard reality is the self, which never changes in any state. And maybe that is why Jaisini favors the paintings main hero, Santa, to possess the alive color of fire. Jaisini chooses this color of fire to manifest the self and the cold cerulean, carbon monoxide and ultramarine to renounce self as a mortal entity environ by the eternal unknown. While Santa drinks his feelings of frigid loneliness vanish. And so, he gets a company of some almost hallucinatory nature. A shark, a ghostly image, a profile of another prototypical drunk who is not out of the blue situated in a horizontal position. An amalgam of the several effeminate figures that consists of a woman in stockings, a nun, a big-breasted silhouette that create a shadow between. A heat can be perceived around the hot colored Santa who has lost his beard and is holding a glass of red wine. He shows his thumb that may be however a polite substitution for the middle finger sign. The colors of the work are balanced by a virtuoso composition of a cubist character. The pictures space is divided endlessly. More images start to appear. The world of

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