Art and Human Interaction with Nature

demesne subterfuge, an important branch of priming coat art, is one of the p reddishilection palm of Stacy Levy and Andy Goldsworthy. Goldsworthy is a British sculptor, imageer and environmentalist, whereas Levy is a sculptor working on ecological subjective patterns and processes. They ar two artificers whose bodies of work argon full of arrangement and location plant as easily as natural involvement. perfectly illustrating those characteristics, the art generalisation Riverine (Ikura) and the flick 1981_023, respectively recognise by Stacy Levy and Andy Goldsworthy, present whatsoever comparable elements. Indeed, they both consult a juxtaposition among human beings and personality by representing a clear immaterial modification of a natural environment by worldly concern; however, some divergences can be pointed out as well. The important one is the fact that Goldsworthy centre more on humans control on reputation whereas Stacy Levy emphasized the temperam ents dominance.\nRiverine (Ikura) is a go around term art ins longation in nature realized on a floodplain by the artist Stacy Levy. This subdivision of art is comprised of 600 18-foot-tall bamboo stems and pink and red small pliable balls. The bamboo stems ar brown and planted in the ground. Mounted on their enlighten are one, two or three pink pliant balls, giving an illusion of tall grasses with ball-shaped pink blooms. As the wind blows and the birds fly, the flowers follow the choreography, juxtaposing bring and water. However, an installation in nature is supposed to blend into its environment, especially when the artist is Stacy Levy, whose prior works are mostly grand and respectful toward nature. Therefore, Riverine contradicts that with the use of plastic balls indicating humans presence in nature. Goldsworthy1981_023 however, is a piece of art that was completed and recorded on December 22, 1980 by the artist Andy Goldsworthy. Its a photograph picturing someone c ontact water with a catch and creating a rainbow. More precisely,...