Yushio Mishima s PatriotismLove , Death and Fascist IconographyTo the fascist artist , his or her master art is merely a vessel that encapsulates his or her get socially-motivated beliefs . The works of Yukio Mishima and Leni Riefenstahl , for instance , em physical structure the essence of their individual nationalities at the height of their individual careers - nationalities that might transcend origin and geographics , yet extol culture , tradition , ritual and societyMishima and Riefenstahl permit out incredible parallelism in their works Mishima , in his compact story Patriotism , describe the human multifariousness with such(prenominal) detail and meticulousness reminiscent of Riefenstahl s style in her 1930 s films . stacks same Riefenstahl s The Last of the Nuba , the naked body is depicted as a means of fascist icono graphy - the body , perfect and perfect(a) in its own way , merges with a bigger fellowship of bodies of like characteristics (Evans 31 .
Susan Sontag s treatise on the works of Riefenstahl , Fascinating Fascism , breaks raven the last mentioned s appreciation and fascination of the strong and beautiful Nuba material body as examples of Nazi ideology corresponding to the idea of esthetics for fascists Sontag writes , Riefenstahl s portrait of them evokes some of the larger themes of Nazi ideology : the melody between the clean and the impure , the incorruptible and the ded , the physical and the human body the joyful and the critical (par . 27 This is echoed ! in Mishima s Patriotism , when the face character Takeyama decides to commit seppuku - ritual suicide by evisceration - as an act of redemption...If you want to get a in full essay, order it on our website:
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